>>51442Exactly. the massa of 7-8 years ago is not with us anymore.
Do you ever really notice the dialogue of deel 1-2? schoolocaust, untermensch, hitler, etc. massa was so unbothered that he could just write a love letter to 4chan, introduce an intimate creative universe, and be passionate about continuing it at the same time. massa is very talented and smart, he knew exactly what he was doing and he was unashamed about it. A few years later, probably as a combination of growing up a bit, distancing himself from nu4chan, hiring animators, outsourcing more of his project to other people, and really thinking about how his show may not be picked up solely because of the unproducable (AKA too "chuddy") introduction that is deel 1-2, he starts revisioncucking.
By deel 5, massa greenlights the "belgian congo genocide" scene to virtue signal to future producers that
>Hey look! My characters aren't actually all spawned from 4chan archetypes and Dutch country allegories but are actually… le not racist at all! produce my show produce my show produce my showLEGITIMATELY, IT FEELS LIKE BY SOME POINT IN DEEL 3, THAT MASSA'S CREATIVE VISION STARTED TO FADE AWAY FROM HIM. WHEN HE STOPPED ANIMATING IN FULL, THE SHOW WAS NO LONGER HIS!
Poor Massa, though, was probably fueled by fear as a middle aged man working a full time job in an era of cancel culture to seriously think about what he was doing. All this, for an imageboard that wasn't the same, about a cartoon universe that would become distant from him in spirit and soul, in the face of a growing liberalcuck world where he could lose his job and livelihood because of a public animation he made.
It just wasn't worth it to him, so he wrapped it up, and threw it all away.