No.16221
who's going to voice the characters?
No.16223
>>16221this nigger doesn't know about the ai voices yet LMAO
No.16233
>>16223they sound like SHIT though
No.16332
>>16221 I was thinking we could get the original voice actors, or someone could do a real good and passable impression. In the beginning I was thinking of AI voices but there are all mostly shitty.
No.16336
Harass women at anime conventions, thats how massa got his voices
No.16568
>>16562
I saw you talking about transcribing the deels in the 'cuck thread, are you aware of the .docx scripts Massa gave out to paypigs on his old petheaf page?
No.16579
>>16336can i get a marge check on this
No.16586
>>16580
You should be using a tripcode from now on
No.16587
>>16580
The show, from what little we've seen from it, is clearly meant to be a slice of life featuring our protagonist Maya and her sisters going through little escapades on what sort of conflict they're dealing with. Seeing as how Watamote is a clear inspiration for it, I'd say take that into consideration.
But I'd say it should be a more episodic show, with an overarching theme of Maya being less of a reclusive fuck shoving everyone away from her. All the while the other girls like Coco or Mymy trying to tame their own demons in their lives.
It's a show that's meant for filler episodes with "problem of the day" style plots, closest comparison I could maybe make is Gumball since some episode plots aren't completely off the walls and are fairly grounded in reality while still being entertaining.
No.16591
>>16587Oh and let's not forget, this is a VERY Dutch-y show. Through the deels, you can find little easter eggs of dutch cvltvre and in-jokes Massa sprinkled throughout. I feel like that's the little touch of what makes Ongezellig "Ongezellig". Sure maybe you can write some good pieces of whatif episode ideas, but without those small Dutch details, we'd probably be missing something crucial to Ongezellig's setting. It'd be like writing spongebob but without the clever quirks of sealife that made the first 3 seasons so special.
No.16604
>>16594
While it's great to hear you're doing research and going over some thought processes into what IS Ongezellig, this sounds like a very ambitious project you're doing. Idk you personally or what experiences you have in regards to writing, but I'd say try to temper your expectations and be cautious as to not go overboard with ambition. I think just getting the groundwork of episode ideas out there would be a good start, try not to be a perfectionist when developing these or else you'll be stuck in development hell at best, get major burnout at worse.
If you're going down the "serialized" route of writing, then please be careful and not pull a Hazbin Hotel of having over ambitious ideas + limited episodes, this is what completely killed the show from ever even coming close to "good" due to rushing and cramming a bunch of shit together. I know I say that as if Zellig were an actual show come to life, but you really gotta plan out your time well if you want to make a serialized show memoriable with small episodes like with Gravity Falls or Over The Garden Wall; being the best two examples I could think of.
No.16608
the cope is unreal… makes me even sadder for becoming a zellig fan AFTER zellig was shoah'd
No.16623
>>16612
this better not be some fucking larp
No.16633
>>16603Pursuit of quality is hinderance
No.16635
>>16608eh, would be worse if you'd hoped for years, wouldn't it?
No.16704
>>16701
If it's from the leaked audio, then I haven't listened to it yet, but it does kind of sound like a joke by Massa to be that big and successful at such a young age. Then again, Coco is interpreted as "little miss perfect who's better than Maya in every single way" so having her be in a national league would maybe play more into that. I think little references and small implications like having a bunch of trophies and medals in her room is the way to go if it's to be taken seriously. And maybe an episode on its own addressing it if really needed.
<Reddit clip
Btw check your email, I sent you something from here.
No.16706
we are so back
No.16933
>>16747 hello, I email you about the music